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Untitled (Memorial Magnolia), stoneware, $250Contact us for purchase

Untitled (Memorial Magnolia), stoneware, $250

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(Re)Collection, dried flowers, resin, $1,200Contact us for purchase

(Re)Collection, dried flowers, resin, $1,200

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Collection (Leftovers), collected flower petals, glass vitrine, $350Contact us for purchase

Collection (Leftovers), collected flower petals, glass vitrine, $350

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Who Said That Time Heals All Wounds?, dried flowers, plastic, wax, resin, $1,000Contact us for purchase

Who Said That Time Heals All Wounds?, dried flowers, plastic, wax, resin, $1,000

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Mourning Object, porcelain, glaze, epoxy resin, $300Contact us for purchase

Mourning Object, porcelain, glaze, epoxy resin, $300

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An Exercise In Preservation, dried flowers, wax, resin, plastic, $800Contact us for purchase

An Exercise In Preservation, dried flowers, wax, resin, plastic, $800

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Wilting Sunflowers, stoneware, SOLD

Wilting Sunflowers, stoneware, SOLD

Memory Anesthetized, plastic, resin, dried flowers, $1,600Contact us for purchase

Memory Anesthetized, plastic, resin, dried flowers, $1,600

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Peace Lily, porcelain, SOLD

Peace Lily, porcelain, SOLD

Memorial Diptych, porcelain and stoneware, SOLD

Memorial Diptych, porcelain and stoneware, SOLD

Untitled Trio, stoneware, porcelain, string, $300Contact us for purchase

Untitled Trio, stoneware, porcelain, string, $300

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The Role Of Remembrance, porcelain, glass vitrine, $450Contact us for purchase

The Role Of Remembrance, porcelain, glass vitrine, $450

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I am investigating notions of preservation, time, mortality, and memory through the iconography of the flower. Memories are inherently unreliable and shift each time they are recalled. Despite our best efforts, they will inevitably break down and disintegrate over time. The flower becomes the symbol for the fragility of ourselves—our bodies, our minds. In this work the flowers existence is multiple: in its most ideal form, as it has wilted, and methodically encapsulated through porcelain or wax and plastic. The multiplicity of memories, our best attempts at preserving them, and their predictable collapse are all present throughout this work. Time becomes both passive and active—unrelenting in its affect on the organic material and perpetually suspended in each sculpted bloom.

Gina Pisto is a ceramic artist currently pursuing her Master's of Fine Arts in Ceramics at Ohio University in Athens, Ohio. She completed a post-baccalaureate in ceramics at Virginia Commonwealth University in 2018 and received her Bachelor's of Fine Arts in Studio Art with an emphasis in ceramics from Grand Valley State University in 2016. She works primarily with clay, flowers, wax, plastic, and resin, and her current work explores loss, memory, mourning, and permanence.