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Bandits, enamel and UV ink on metal, 40 x 40”, $ 2,200Contact us to purchase

Bandits, enamel and UV ink on metal, 40 x 40”, $ 2,200

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If You Were A Bluebird, enamel and UV ink on metal, 31 x 31”, $ 2,000Contact us to purchase

If You Were A Bluebird, enamel and UV ink on metal, 31 x 31”, $ 2,000

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If There’s a Road There Has To Be A Place, enamel and UV ink on metal, 31 x 31”, $ 2,000Contact us to purchase

If There’s a Road There Has To Be A Place, enamel and UV ink on metal, 31 x 31”, $ 2,000

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I Once Loved A Girl, Met Her At A Dance, enamel and UV ink on metal, 40 x 40”, SOLD

I Once Loved A Girl, Met Her At A Dance, enamel and UV ink on metal, 40 x 40”, SOLD

I Missed The Glance, pigment print on hahnemuhle paper (framed), 29.6 x 29.6”, $900Contact us to purchase

I Missed The Glance, pigment print on hahnemuhle paper (framed), 29.6 x 29.6”, $900

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We Are Special In Other Ways, pigment print on hahnemuhle, 33.6 x 58.4”, $ 1,200Contact us to purchase

We Are Special In Other Ways, pigment print on hahnemuhle, 33.6 x 58.4”, $ 1,200

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Remember Me Young, enamel and UV ink on metal, 40 x 40”, $ 2,200Contact us to purchase

Remember Me Young, enamel and UV ink on metal, 40 x 40”, $ 2,200

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She Brings The Rain, enamel and UV ink on metal, 40 x 40”, $ 2,200Contact us to purchase

She Brings The Rain, enamel and UV ink on metal, 40 x 40”, $ 2,200

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So You Turned Your Days Into Night Time, pigment print on hahnemuhle paper, 33.6 x 58.4”, $ 1,200Contact us to purchase

So You Turned Your Days Into Night Time, pigment print on hahnemuhle paper, 33.6 x 58.4”, $ 1,200

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We Protect Our Little Fictions, enamel and UV ink on metal, 30 x 40”, $ 2,100Contact us to purchase

We Protect Our Little Fictions, enamel and UV ink on metal, 30 x 40”, $ 2,100

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Morgan Slade is a Los Angeles born multi-media artist and photographer currently living in Richmond, Virginia. He received a BA in Fine Art from the University of California at Santa Cruz in 1991. His paintings, mixed-media, photography and film works have been exhibited in Los Angeles, San Fransisco, Virginia and Sweden.

By incorporating found photography, wallpaper samples, and other discarded digital imagery, Morgan Slade utilizes the canvas as an open plane where seemingly disparate images cohere with a certain intensity. It is within this moment that a sense of plot or harmony is developed through a collision of signs, however brief and to what significance is open to interpretation. Many of these works point to a momentary narration with a fleeting sense of nostalgia and memorial. With further viewing, the images display elements of solitude, romance and fantasy.

We Protect Our Little Fictions employs the computer as a tool. Images are layered, deconstructed, reappropriated, and reinterpreted to create a dense interplay between memory, time, form, context and emotion.