Unit #333, oil on canvas, 64 x 70 inches, $12,000 [SALE PENDING]

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Across E 15th Street, oil on canvas, 18 x 24 inches, $1,600

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April Studio, oil on stretched canvas, 14 x 18 inches, $1,100

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Studio Afternoon, gouache and charcoal on paper, 18 x 24 inches, $1,200

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Stone Fountain, pencil and charcoal on handmade paper, 10 x 13 inches, $950

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Studio Light 1, oil on canvas, 16 x 20 inches, $1,400 [SALE PENDING]

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Studio Light 2, oil on canvas, 20 x 20 inches, $1,600

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July, oil on canvas, 20 x 16 inches, SOLD

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June, oil on canvas, 20 x 16 inches, $950

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March Studio, oil on canvas, 23 x 29 inches, $2,200

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Washington Street, oil on canvas, 20 x 16 inches, $1,400

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Silos From Mountain View Church, pencil on paper, 14 x 17 inches, $700

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Yellow Mountain, oil on canvas mounted to board, 12 x 12.75 inches, $1,100

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Swimming Pool Mountain, oil on canvas mounted to board, 24.5 x 20 inches, $2,200

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Last Day of Winter, First Day of Spring, oil on canvas mounted to board, 11.5 x 17 inches, $1,100

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Apricots, oil on canvas mounted to board, 13 x 12.25 inches, $1,100 [SALE PENDING]

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Italian Hollyhocks, oil on canvas mounted to board, 12.75 x 7.75 inches, $600

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Three Bridges, Overcast, oil on canvas, 12 x 12 inches, $950

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Three Bridges from Brown’s Island and 2nd Street, acrylic, gesso, charcoal and gouache on paper, 18 x 24 inches, $1,200

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Three Bridges, charcoal and gouache on paper, 12 x 12 inches, $950

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Three Bridges from Brown’s Island and 2nd Street, oil on canvas, 18 x 24 inches, SOLD

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Tredegar and West Rock, Study, charcoal and gouache on paper, 12 x 12 inches, $1,200

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Tredegar and West Rock, oil on canvas, 30 x 30 inches, $3,000

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Tredegar in Green, gouache and charcoal on paper, 18 x 24 inches, $1,200

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Tredegar Iron Works, oil on canvas, 16 x 20 inches, $1,400

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Ninth Street Bridge from Brown’s Island no. 1, acrylic, gesso and charcoal on paper, 24 x 24 inches, $ 1,400

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Ninth Street Bridge from Browns Island No. 2, acrylic, gesso, and charcoal on paper, 18 x 24 inches, $1,100

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Ninth Street Bridge from Manchester, acrylic, gesso, charcoal and conte crayon on paper, 18 x 24 inches, $1,200

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Tilt Roof at Campmeeting, acrylic, gesso, charcoal and conte crayon on paper, 22.75 x 21 inches, SOLD

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300 Birch, acrylic, gesso, charcoal and conte crayon on paper, 24 x 18 inches, SOLD

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Field and Tree, pencil on paper, 11 x 14 inches, $800

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Tanager Tree, oil on canvas, 20 x 16 inches, $1,200

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October Tree, oil on canvas, 18 x 14 inches, SOLD

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Tree and Mountain, pencil on paper, 14 x 11 inches, $700 [SALE PENDING]

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Daniel, pencil on paper, 24 x 18 inches, $950

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Self-Portrait, oil on canvas, 10 x 8 inches, $950

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In the Christian liturgical calendar, Ordinary Time denotes the seasons between the high holy days of Easter and Christmas and their corresponding preparation periods of Lent and Advent. Ordinary Time gives value to the everyday and commonplace by counting each passing week as ritual observance. Through attention, the ordinary is noted, observed, and honored.

My work is a gesture of hospitality—an invitation to marvel at the mystery, beauty, and grandeur of commonplace moments encountered in everyday life. Through my work, I welcome my viewers into the profound presence of the ordinary by offering the gift of “eternal timefullness.” Artist and writer Makoto Fujimura speaks of “eternal timefullness” in his book Refractions:

“A timeful experience is given when our minds are allowed to fully respond to the senses… It’s what William Blake, the eighteenth-century poet, meant when he wrote, ‘To see a world in a grain of sand, / And a heaven in a wild flower, / Hold infinity in the palm of your hand, / And eternity in an hour.’”

I paint the poetry I discover in my lived environs of home, studio, community, and travels and offer it to others as an attentive lens of captured light, time, and space.

Kristen Peyton is a painter and draftsman of color, light, and space. She works from direct observation, imbuing her paintings with site-specific atmosphere and painterly breath.

Peyton earned a Master of Fine Art in Painting from the University of New Hampshire and a Bachelor of Arts from the College of William and Mary. She is a native of Pittsburgh, Pennsylvania, and a resident of Richmond, Virginia. She works as the Gallery Director and Curator of the Flippo Gallery at Randolph-Macon College.